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The Art of Performance / Heinrich Schenker, ed. Esser, trans. Scott (new pbk)

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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
Subject
Art
Subject Area
Performing Arts
ISBN
9780195151510
Publication Year
2002
Type
Textbook
Format
Trade Paperback
Language
English
Publication Name
Art of Performance
Item Height
0.3in
Author
Irene Schreier Scott, Heinrich Schenker
Item Length
6in
Publisher
Oxford University Press, Incorporated
Item Width
9.5in
Item Weight
8.6 Oz
Number of Pages
136 Pages

About this product

Product Information

The Art of Performance draws on Schenker's experience as a musician and teacher to propose a sharp re-evaluation of how musical compositions are realized in performance. Schenker argues that much of contemporary performance practice is rooted in the nineteenth-century cult of the virtuoso, which has resulted in an overemphasis on technical display. To counter this, he suggests numerous ways to reconnect the composer's intentions and the musician's performance.

Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
0195151518
ISBN-13
9780195151510
eBay Product ID (ePID)
1962531

Product Key Features

Author
Irene Schreier Scott, Heinrich Schenker
Publication Name
Art of Performance
Format
Trade Paperback
Language
English
Publication Year
2002
Type
Textbook
Number of Pages
136 Pages

Dimensions

Item Length
6in
Item Height
0.3in
Item Width
9.5in
Item Weight
8.6 Oz

Additional Product Features

Reviews
"...the ideas Schenker puts forth here are profound...they will prove valuable to both music theorists and serious performers."--Notes, "We are most fortunate that Oxford University Press has published Heribert Esser's edition of The Art of Performance in a lucid translation by Irene Schreier Scott. This book is a first-hand account of what Schenker taught: it permits us to eavesdrop on his lessons, so to speak, putting us in the position of one of his student...[T]he book is an outstanding achievement."--Music Theory Spectrum"This brief work is the most illuminating guide to performance and interpretation I have read." --Richard Goode, pianist"We are most fortunate that Oxford University Press has published Heribert Esser's edition of The Art of Performance in a lucid translation by Irene Schreier Scott. This book is a first-hand account of what Schenker taught: it permits us to eavesdrop on his lessons, so to speak, putting us in the position of one of his student...[T]he book is an outstanding achievement."--Music Theory Spectrum"This volume where Schenker gives advice to performers in general, pianists in particular, on how to fulfil the demands inherent in those layers of musical material behind the foreground is a very helpful adjunct to his profound analyses. There are some very ingenious, unusual, and helpful ideas that can give life to, and must be used in conjunction with, his analytical visions." --Murray Perahia"Heinrich Schenker was the most influential music theorist of the twentieth century and one of the most original and profound musical thinkers of all time. This book is full of stimulating and provocative ideas, and it is one that will be a valuable addition to the library of every literate and thoughtful performing musician, every advanced student of performance, and every theorist and musicologist with an interest in performance." --Carl Schachter,Distinguished University Professor Emeritus, Queens College and the Graduate Center of the City University of New York"This brief work is the most illuminating guide to performance and interpretation I have read. It gives new life to essential, too often neglected principles of music-making, and points the way toward a flexible style of playing that grows directly out of the intrinsic qualities of the music. Properly understood, Schenker's liberating insights will inspire musicians to realize the composer's wishes in freer, more imaginative and meaningful ways." --RichardGoode, pianist, "[P]acked with a rich variety of insights....In the burgeoning field of performance studies, it should rapidly become a standard text."--Music and Letters, "This volume where Schenker gives advice to performers in general, pianists in particular, on how to fulfil the demands inherent in those layers of musical material behind the foreground is a very helpful adjunct to his profound analyses. There are some very ingenious, unusual, and helpfulideas that can give life to, and must be used in conjunction with, his analytical visions." --Murray Perahia, "We are most fortunate that Oxford University Press has published Heribert Esser's edition of The Art of Performance in a lucid translation by Irene Schreier Scott. This book is a first-hand account of what Schenker taught: it permits us to eavesdrop on his lessons, so to speak, putting us in the position of one of his student...[T]he book is an outstanding achievement."-- Music Theory Spectrum "This brief work is the most illuminating guide to performance and interpretation I have read." --Richard Goode, pianist, "It comes as no surprise that this volume, though slim, is packed with arich variety of insights....in the burgeoning field of performance studies, itshould rapidly become a standard text."--Music and Letters, "...the ideas Schenker puts forth here are profound...they will prove valuable to both music theorists and serious performers."-- Notes "[P]acked with a rich variety of insights... Certainly, in the burgeoning field of performance studies, it should rapidly become a standard text."-- Music & Letters "This volume where Schenker gives advice to performers in general, pianists in particular, on how to fulfil the demands inherent in those layers of musical material behind the foreground is a very helpful adjunct to his profound analyses. There are some very ingenious, unusual, and helpful ideas that can give life to, and must be used in conjunction with, his analytical visions." --Murray Perahia "Heinrich Schenker was the most influential music theorist of the twentieth century and one of the most original and profound musical thinkers of all time. This book is full of stimulating and provocative ideas, and it is one that will be a valuable addition to the library of every literate and thoughtful performing musician, every advanced student of performance, and every theorist and musicologist with an interest in performance." --Carl Schachter, Distinguished University Professor Emeritus, Queens College and the Graduate Center of the City University of New York "This brief work is the most illuminating guide to performance and interpretation I have read. It gives new life to essential, too often neglected principles of music-making, and points the way toward a flexible style of playing that grows directly out of the intrinsic qualities of the music. Properly understood, Schenker's liberating insights will inspire musicians to realize the composer's wishes in freer, more imaginative and meaningful ways." --Richard Goode, pianist, "Heinrich Schenker was the most influential music theorist of thetwentieth century and one of the most original and profound musical thinkers ofall time. This book is full of stimulating and provocative ideas, and it is onethat will be a valuable addition to the library of every literate and thoughtfulperforming musician, every advanced student of performance, and every theoristand musicologist with an interest in performance." --Carl Schachter,Distinguished University Professor Emeritus, Queens College and the GraduateCenter of the City University of New York, "We are most fortunate that Oxford University Press has published Heribert Esser's edition ofThe Art of Performancein a lucid translation by Irene Schreier Scott. This book is a first-hand account of what Schenker taught: it permits us to eavesdrop on his lessons, so to speak, putting us in the position of one of his student...[T]he book is an outstanding achievement."--Music Theory Spectrum "This brief work is the most illuminating guide to performance and interpretation I have read." --Richard Goode, pianist, "This brief work is the most illuminating guide to performance and interpretation I have read. It gives new life to essential, too often neglected principles of music-making, and points the way toward a flexible style of playing that grows directly out of the intrinsic qualities of the music.Properly understood, Schenker's liberating insights will inspire musicians to realize the composer's wishes in freer, more imaginative and meaningful ways." --Richard Goode, pianist, "This brief work is the most illuminating guide to performance andinterpretation I have read. It gives new life to essential, too often neglectedprinciples of music-making, and points the way toward a flexible style ofplaying that grows directly out of the intrinsic qualities of the music.Properly understood, Schenker's liberating insights will inspire musicians torealize the composer's wishes in freer, more imaginative and meaningful ways."--Richard Goode, pianist, "We are most fortunate that Oxford University Press has published Heribert Esser's edition of The Art of Performance in a lucid translation by Irene Schreier Scott. This book is a first-hand account of what Schenker taught: it permits us to eavesdrop on his lessons, so to speak, putting us in the position of one of his student...[T]he book is an outstanding achievement."--Music Theory Spectrum"This brief work is the most illuminating guide to performance and interpretation I have read." --Richard Goode, pianist, "...the ideas Schenker puts forth here are profound...they will prove valuable to both music theorists and serious performers."--Notes "[P]acked with a rich variety of insights... Certainly, in the burgeoning field of performance studies, it should rapidly become a standard text."--Music & Letters "This volume where Schenker gives advice to performers in general, pianists in particular, on how to fulfil the demands inherent in those layers of musical material behind the foreground is a very helpful adjunct to his profound analyses. There are some very ingenious, unusual, and helpful ideas that can give life to, and must be used in conjunction with, his analytical visions." --Murray Perahia "Heinrich Schenker was the most influential music theorist of the twentieth century and one of the most original and profound musical thinkers of all time. This book is full of stimulating and provocative ideas, and it is one that will be a valuable addition to the library of every literate and thoughtful performing musician, every advanced student of performance, and every theorist and musicologist with an interest in performance." --Carl Schachter, Distinguished University Professor Emeritus, Queens College and the Graduate Center of the City University of New York "This brief work is the most illuminating guide to performance and interpretation I have read. It gives new life to essential, too often neglected principles of music-making, and points the way toward a flexible style of playing that grows directly out of the intrinsic qualities of the music. Properly understood, Schenker's liberating insights will inspire musicians to realize the composer's wishes in freer, more imaginative and meaningful ways." --Richard Goode, pianist, "...the ideas Schenker puts forth here are profound...they will provevaluable to both music theorists and serious performers."--Notes, "We are most fortunate that Oxford University Press has published Heribert Esser's edition of The Art of Performance in a lucid translation by Irene Schreier Scott. This book is a first-hand account of what Schenker taught: it permits us to eavesdrop on his lessons, so to speak, putting us in the position of one of his student...[T]he book is an outstanding achievement."--Music Theory Spectrum "This brief work is the most illuminating guide to performance and interpretation I have read." --Richard Goode, pianist, "[P]acked with a rich variety of insights....In the burgeoning field ofperformance studies, it should rapidly become a standard text."--Music andLetters, "Heinrich Schenker was the most influential music theorist of the twentieth century and one of the most original and profound musical thinkers of all time. This book is full of stimulating and provocative ideas, and it is one that will be a valuable addition to the library of every literateand thoughtful performing musician, every advanced student of performance, and every theorist and musicologist with an interest in performance." --Carl Schachter, Distinguished University Professor Emeritus, Queens College and the Graduate Center of the City University of New York
Table of Content
Translator's IntroductionEditor's IntroductionSources and Editorial ProcedurePlates1. Musical Composition and Performance2. Mode of Notation and Performance3. The Technique of Playing the Piano4. Non Legato5. Legato6. Staccato7. Fingering8. Dynamics9. Tempo and Tempo Modifications10. Rests11. The Performance of Older Music12. On PracticingAppendixesNotesSelected Bibliography with AnnotationsIndex of Musical Examples
Copyright Date
2002
Topic
History & Criticism, Genres & Styles / Classical, General, Instruction & Study / Theory
Dewey Decimal
786.2/193
Intended Audience
Scholarly & Professional
Dewey Edition
21
Illustrated
Yes
Genre
Music, Business & Economics

Item description from the seller

bolognaq15

bolognaq15

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5***9 (155)- Feedback left by buyer.
Past 6 months
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nice seller, received book as described but looks like the book was already opened and resealed, it not how a sealed book is supposed to look also, the shipping cost was reasonable and package came on time. I would have given four stars and neutral feedback because of the way it sealed. it doest look like a book that wasn't opened. good communication. it not worth the price I paid.
5***9 (21)- Feedback left by buyer.
Past 6 months
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The seller responded to my bid right away. The item was received promptly and was well packaged. Very satisfied. Would definitely buy from this seller again.
l***n (65)- Feedback left by buyer.
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A+++ GOOD EBAYER! FAST COMMUNICATION AND SHIPPING!

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